Abstract
Rafael Jaen’s essay, "The Designs of Susan Hilferty, By Chance or By Fate," offers a nuanced exploration of the creative processes and artistic vision that define the work of Susan Hilferty, an influential figure in contemporary costume design. Jaen investigates how Hilferty’s career trajectory and design philosophy intertwine elements of serendipity with deliberate artistic intent, suggesting that her success emerges from a complex interplay between happenstance and calculated decision-making. This duality challenges conventional understandings of creativity as either purely spontaneous or meticulously planned, positioning Hilferty’s work as a testament to the dynamic nature of artistic production. Hilferty’s designs are characterized by their imaginative use of materials and textures, which contribute to the vivid storytelling integral to theatrical productions. Jaen emphasizes how her ability to transform ordinary fabrics into extraordinary visual narratives exemplifies a deep understanding of character development and dramaturgy. For instance, her iconic costumes for productions such as "Wicked" demonstrate not only technical skill but also an intuitive grasp of thematic resonance, where each garment acts as an extension of the characters’ identities (Jaen). This synthesis between form and function underscores Hilferty’s reputation for bridging aesthetic innovation with narrative clarity.
| Original language | American English |
|---|---|
| Pages (from-to) | 38-49 |
| Number of pages | 11 |
| Journal | Theatre Design & Technology |
| State | Published - Feb 20 2023 |
ASJC Scopus Subject Areas
- Visual Arts and Performing Arts
Disciplines
- Theater and Performance Studies